Recently, some works by renowned crosstalk (xiangsheng) performer Guo Degang were reported by audience members for containing ‘vulgar’ content, sparking public debate. In response, the China Federation of Literary and Art Circles’ Quyi Artists Association (commonly known as the China Quyi Association) stated that artistic creation should uphold healthy and positive values while respecting artistic principles and the diversity of audience tastes. The association emphasized that crosstalk, as a traditional Chinese comedic art form, must both preserve its heritage and evolve with the times—innovating while adhering to ethical and legal boundaries. Regarding issues such as coarse language or low artistic tone in certain performances, the association urged practitioners to exercise greater self-discipline and enhance the intellectual depth and artistic quality of their work. It also reminded the public to rationally distinguish between legitimate comedic expression and genuine vulgarity. Guo Degang and his Deyun Society have played a significant role in revitalizing crosstalk in recent years, though their bold comedic style has frequently drawn criticism. This incident has reignited discussions about what constitutes ‘vulgarity’ and how to define the boundaries of artistic expression. Experts suggest that a balance must be struck between regulation and creative freedom—neither tolerating harmful content nor excessively restricting artistic liberty.
近日，著名相声演员郭德纲的部分作品被观众举报存在‘低俗’内容，引发社会关注。对此，中国曲艺家协会（简称‘中国曲协’）作出回应，强调文艺创作应坚持健康向上的导向，同时尊重艺术规律和观众审美多样性。中国曲协表示，相声作为传统曲艺形式，既要传承经典，也要与时俱进，在创新中守住道德与法律的底线。对于个别作品中存在的语言粗俗、格调不高等问题，协会呼吁从业者加强自律，提升作品思想性和艺术性。同时，也提醒公众理性看待艺术表达中的幽默与讽刺，避免将正常艺术风格误读为低俗。郭德纲及其德云社近年来在推动相声复兴方面贡献显著，但也因其大胆的语言风格屡次引发争议。此次事件再次引发关于‘什么是低俗’‘如何界定艺术边界’的讨论。专家指出，监管与创作之间需保持平衡，既不能放任不良内容，也不应过度干预艺术自由。
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