Recently, an 8-meter-tall statue of Marilyn Monroe in Dalian, China, was quietly removed without any official announcement, sparking widespread public and media attention. Originally located near Xinghai Square, the sculpture was inspired by Monroe’s iconic “subway grate” scene from the 1955 film *The Seven Year Itch*, with her dress billowing in the wind—a pose that had made it a popular photo spot for tourists and locals alike. However, starting in late 2023, the statue was gradually concealed behind construction barriers and had completely vanished by early 2024, leaving only its empty pedestal.No official reason has been given for the removal, though analysts speculate it may relate to concerns over cultural appropriateness, public art regulations, or urban planning adjustments. Some residents expressed understanding, noting the statue’s stylistic dissonance with local cultural sensibilities, while art enthusiasts lamented the loss of a pop-culture symbol in public space. This is not the first time Western celebrity statues have been removed in China, and such incidents often reignite debates about the boundaries of cultural expression in public spaces within a globalized context.The quiet disappearance of the Monroe statue once again highlights the sensitivity surrounding public art in multicultural settings and reflects the city’s cautious approach to selecting cultural symbols for its shared spaces.
近日，位于中国大连的一座高达8米的玛丽莲·梦露雕像在未作公开说明的情况下被悄然拆除，引发公众与媒体广泛关注。该雕像原立于大连星海广场附近，造型灵感源自梦露1955年电影《七年之痒》中著名的“地铁风口”经典画面，裙摆飞扬的形象曾一度成为当地网红打卡点。然而，自2023年底起，雕像逐渐被围挡遮蔽，至2024年初已完全消失，现场仅余基座。关于拆除原因，官方尚未发布正式声明，但有分析认为可能涉及文化适宜性、公共艺术审查或城市规划调整等因素。部分市民表示理解，认为该雕像风格与本地文化氛围存在差异；也有艺术爱好者惋惜其作为流行文化符号的公共表达被中断。值得注意的是，这并非中国首次移除西方名人雕像，类似事件曾引发关于全球化语境下公共空间文化表达边界的讨论。此次梦露雕像的“悄然离场”，再次凸显了公共艺术在多元文化融合中的敏感性，也反映出城市管理对文化符号选择的审慎态度。
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