Recently, the documentary ‘Return to the Wolves’ has gone viral again on short-video platforms, sparking widespread public discussion about wildlife conservation and human-wolf relationships. The film chronicles artist Li Weiyi’s real-life experience in 2010 of rescuing and raising an abandoned wolf pup named ‘Green,’ eventually successfully reintroducing him to the wild in the Zoigê grasslands. In response to the renewed attention, Li stated, ‘I never imagined that a decade later, so many people would still care about Green’s story. It shows that people still yearn for an authentic connection with nature.’ She emphasized that ‘Return to the Wolves’ is not just a tale of rescue but also a reflection on anthropocentrism. Li continues her work in wildlife conservation today and urges the public to treat wild animals with scientific understanding and respect—not as pets or entertainment props. The documentary’s resurgence has inspired a new generation to consider ecological ethics and the challenges faced by wild species, reigniting conversations about how humans can coexist harmoniously with nature.
近日，纪录片《重返狼群》因短视频平台上的片段剪辑再度走红，引发公众对野生动物保护与人狼关系的广泛讨论。该片记录了画家李微漪在2010年救助并抚养一只被遗弃的小狼‘格林’，最终将其成功放归若尔盖草原的真实经历。面对作品的再次爆火，李微漪回应称：‘我从未想过十年后还有这么多人关注格林的故事。这说明人们内心依然渴望与自然建立真诚的连接。’她强调，《重返狼群》不仅是一个关于救赎的故事，更是一次对人类中心主义的反思。李微漪表示，如今她仍持续参与野生动物保护工作，并呼吁公众以科学、尊重的方式对待野生动物，而非将它们当作宠物或娱乐符号。此次影片的二次传播，也让更多年轻人开始关注生态伦理与野生物种的生存困境，激发了新一轮关于‘如何与自然共处’的思考。
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