Recently, renowned CCTV host Bai Yansong publicly called on Japan to return the Tang Honglu Well Stele during a television program, sparking widespread attention. The stele was erected in 713 AD by China’s Tang Dynasty in present-day Lüshun, Liaoning Province, to commemorate the imperial investiture of the leader of the Bohai Kingdom—a historically significant event reflecting Tang-era diplomacy. During the Russo-Japanese War in 1908, the stele was seized by the Japanese Navy and remains housed within the grounds of Japan’s Imperial Palace to this day. Bai emphasized that the stele is not only a symbol of China’s sovereignty and historical memory but also a long-standing unresolved issue in Sino-Japanese cultural heritage relations. He stressed that the repatriation of cultural artifacts is a widely accepted moral principle in international practice, and that Japan should face history squarely and proactively return this invaluable relic as a gesture of respect for history and goodwill toward its neighbor. Bai’s remarks have reignited public interest in Chinese cultural relics lost overseas and prompted reflection on how to pursue their return through peaceful and rational diplomatic channels. Returning the Tang Honglu Well Stele would not only help heal a historical wound but also uphold cultural justice.
近日，央视著名主持人白岩松在节目中公开呼吁日本归还唐鸿胪井碑，引发广泛关注。唐鸿胪井碑是中国唐代于公元713年在今辽宁旅顺设立的石碑，用以纪念唐朝册封渤海国首领的历史事件，具有重要的历史与文化价值。1908年日俄战争期间，该碑被日本海军掠走，至今仍存于日本皇宫内，未予归还。白岩松指出，这块石碑不仅是中国主权和历史记忆的象征，更是中日关系中一个长期悬而未决的文化遗产问题。他强调，文物归还是国际通行的道义准则，日本应正视历史，主动归还这一珍贵文物，以体现对历史的尊重与对邻国的诚意。此番言论再次唤起公众对流失海外文物的关注，也促使人们思考如何通过和平、理性的外交途径推动文物回归。唐鸿胪井碑的归还，不仅是对一段历史的修复，更是对文化正义的伸张。
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