As of 2024, all 24 Chinese survivors of Japan’s wartime ‘comfort women’ system who were filmed 11 years ago for the documentary ‘Twenty-Two’ have passed away. Directed by Guo Ke, the film began production in 2014 and was released in 2017, capturing the twilight years of the last known survivors—initially 22, later updated to 24—in mainland China. Rather than focusing on graphic details of their trauma, the documentary uses a restrained and respectful visual approach to portray their everyday lives, emphasizing human dignity and historical remembrance.These women, most over 90 years old, endured unimaginable suffering during World War II and faced decades of social stigma and silence afterward. With the death of the last survivor, firsthand testimonies of this dark chapter are fading into archival records. Their passing marks not only the end of a generation of witnesses but also a urgent call to preserve memory through education, research, and public discourse—ensuring that this history is neither forgotten nor repeated.
截至2024年，11年前参与纪录片《二十二》拍摄的24位中国‘慰安妇’制度幸存者已全部离世。这部由郭柯导演于2014年启动拍摄、2017年公映的影片，记录了当时中国大陆仅存的22位（后增至24位）日军‘慰安妇’制度受害者的晚年生活。影片以平静克制的镜头语言，呈现了她们日常生活的片段，而非聚焦于创伤细节，旨在传递对历史的尊重与对个体尊严的守护。这些老人平均年龄超过90岁，她们在战争中遭受非人待遇，战后又长期承受社会偏见与沉默。随着最后一位幸存者离世，这段由亲历者口述的历史正逐渐成为文字与影像中的记忆。这不仅是一个群体的消逝，更提醒我们：历史见证者正在离去，但铭记与反思不能停止。唯有通过教育、研究与公共讨论，才能让这段黑暗历史不被遗忘，并警示未来避免重蹈覆辙。
原创文章，作者：admin，如若转载，请注明出处：https://avine.cn/3371.html