He Qing is a renowned Chinese actress, widely recognized for her graceful and elegant portrayals in period dramas. Less known is her deep appreciation and training in traditional Chinese opera, particularly Kunqu. During a private cultural gathering, He Qing performed an a cappella rendition of an excerpt from the Kunqu masterpiece ‘The Peony Pavilion,’ showcasing her refined artistic sensibility. Written by Ming Dynasty playwright Tang Xianzu—often hailed as the ‘Shakespeare of the East’—’The Peony Pavilion’ is celebrated for its poetic depth and emotional nuance, with lines like ‘All this profusion of blooms—yet given over to ruined wells and crumbling walls’ capturing profound melancholy. Without instrumental accompaniment, He Qing conveyed the yearning and sorrow of Du Liniang, the heroine, through precise vocal control and nuanced understanding of Kunqu’s lyrical rhythms. Her performance not only highlighted her personal reverence for China’s intangible cultural heritage but also offered audiences a moving glimpse into the enduring beauty of Kunqu opera. This act reflects a growing sense of responsibility among contemporary artists to preserve and promote China’s rich traditional culture.
何晴是中国著名影视演员，以温婉典雅的古装形象深入人心。鲜为人知的是，她对传统戏曲尤其是昆曲有着深厚的兴趣与修养。在一次非公开的文化活动中，何晴曾清唱昆曲《牡丹亭》选段，展现了其不凡的艺术素养。《牡丹亭》是明代剧作家汤显祖的代表作，被誉为‘东方莎士比亚’的巅峰之作，其中‘原来姹紫嫣红开遍，似这般都付与断井颓垣’等唱词意境深远、情感细腻。何晴以纯净嗓音演绎这段经典，虽无伴奏，却凭借对人物情感的精准把握和对昆曲韵律的理解，将杜丽娘的幽怨与痴情娓娓道来。她的清唱不仅体现了个人对传统文化的尊重与传承，也让观众感受到昆曲这一世界非物质文化遗产的独特魅力。此举也反映出当代文艺工作者在弘扬中华优秀传统文化方面的自觉与担当。
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